Feministische Netzwerke: Kollaboration, Information und Diskussion
Discussion, lecture, and conversation with Mathilde ter Heijne on ff, about feminist networks and collaboration on the occasion of the 150 year celebration of the Verein der Berliner Kunstlerinnen.
January 11th, 2017
Alexander und Renata Camaro Stiftung
Potsdamer Straße 98A, 10785 Berlin
‘Community-Based’ presents a series of long-term, socially-engaged projects realised by artists and other cultural workers, specifically located in Berlin. Immediately prior to the opening reception, the artist Mathilde ter Heijne will speak on her work in Decad’s Hinterhaus lecture space. Ter Heijne is one of the primary six artists to be included in ‘Community-Based’. Her artist talk will begin at 18:00. The reception is scheduled to run from 19:00 to 22:00.
November 12th, 2016, 18:00
Gneisenaustrasse 52, 10961, Berlin, Germany
Blood Sweat and Tears in ExBerliner
In effect, taking its cues from “her-story”, Mathilde ter Heijne and company has successfully created what Michel Foucault would have deemed a heterotopia, an oasis outside of hegemonic power structures.
ATOPIA Migration, Heritage and Placelessness
Works from the Thyssen-Bornemisza Art Contemporary Collection
Centro Cultural Metropolitano, Quito, Ecuador
August 10 – September 29, 2016
Radical Peace: Bridging the Empathy Gap
A Situated Assembly: Körnerpark, Schierker Strasse 8
01.09.2016, 19.00 – 22.30
For the finnissage of Mathilde ter Heijne’s exhibition at Körnerpark, Berlin Blood Sweat and Tears, a symposium will take place from September 1st to 4th assembling different theoreticians and practitioners to discuss the topic of conflict resolution using Bracha Ettinger’s matrixial gaze
as a point of departure. Three speakers will speak Thursday September 1st: Ewa Majewska on weak resistance, Olga Lewicka on the politics of mothering, and Katia Krupennikova on confusion and sensitivity of Post-Peace era.
Atopia: Migration, Heritage, and Placelessnes
Works from the Thyssen-Bornemisza Art Contemporary Collection in Quito, Ecuador.
The exhibition will open August 9th at the CCM, Centro Cultural Metropolitano, and run through October 2nd.
Körnerpark, Blood Sweat and Tears— Assembling Past and Future
In her exhibition at Körnerpark, Mathilde ter Heijne directs a network of cultural workers and peace activists in oder to bring about reflections on current world crisis through the meditation upon the first International Women’s Peace Conference in The Hague, first convened in World War I. The project is divided into two parts. The first part comprises a research project that began in 2005, Women to Go, with a special series based on women peace activists.
June 25th to September 4th 2016
Schierker Str. 8, 12051 Berlin, Germany
Get Involved!, Kunst und ihre Aufmerksamkeitsökonomien
Discussion and Public Hearing with Christian Jankowski, Curator of Manifesta11, Carmen Weisskopf & Domagoj Smoljo – !Mediengruppe Bitnik, Mathilde ter Heijne, Artist, Christian Falsnaes, Artist/Performer, and an introduction from Hedwig Fijen, Director of the Manifesta Foundation
Moderated by Max Glauner
In the event of the launch of KUNSTFORUM international, Get involved!, Participation as artistic strategy.
in the room of Manifesta11
Location: Cabaret der Künstler
Zunfthaus Voltaire; Spiegelgasse 1, CH 8001 Zürich
Sonday, 12. June 2016, 17:00
ANDERE ENGEL, Höhenrausch
F.F.A.L. (Fake Female Artist Life) will be shown in Andere Engel at Höhenrausch in Linz, Austria. The work will be on view from May 21st until October 16th along with artists Ilya and Emilia Kabokov, Igor Grubic, and Ammar Abo Bakr to name a few.
Exhibition: May 21st to October 16th
Opening: Friday, May 20th, 18.00
OK-Platz 1, 4020 Linz
Vom Wert der Kunst als Wert der Arbeit
Curated by Sabine Maria Schmidt, the exhibition Vom Wert der Kunst als Wert der Arbeit is a group show featuring ACAD&C, Johannes Bendzulla, Céline Berger, Christian von Borries, Robert Brambora, Sven Johne, Florian Kuhlmann, Christian Lahr, M+M, Mutter/Genth, Alexander Roob, Robert Schlicht, Romana Schmalisch, Andreas Siekmann, Katja Stuke, and Mathilde ter Heijne.
Exhibition: April 30th to June 19th, 2016
Opening: Friday, April 29th, 19:00
Ronsdorfer Straße 77a
Art + Feminism
Wikimedia Foundation found that less than 10% of its contributors identify as female.
While the reasons for the gender gap are up for debate, the practical effect of this disparity is not. It represents an alarming absence in an increasingly important repository of shared knowledge.
Mathilde ter Heijne hosts the special edit-a-thon in collaboration with ƒƒ. This is an extension of an event held on March 6th, 2016 at Dorothy and Lewis B. Cullman Education and Research Building in MOMA.
Sunday March 20th 2016
13:00 – 18:00
Haus am Lützowplatz, Berlin/ Germany,
Within the exhibition “It Will Be!” by Mathilde ter Heijne
Art Press, Ute Weingarten
It Will Be! gets written and followed by Art Press in Wie Gemeinschaft entsteht, an interview with Maritta Seitz and Mathilde ter Heijne.
Art in Berlin
It Will Be! project at Haus am Lützowplatz gets written up in Art in Berlin by Inge Pett in an article called Flower Frauen Power im Haus am Lützowplatz.
IT WILL BE!
It Will Be! is a project conceptualized by artist Mathilde der Heijne in conjunction with professional textile artists and designers, as well as diverse handicraft groups from different social, political, religious, and cultural contexts. Its presentation at Haus am Lützowplatz (the oldest artist association in Berlin) is organized together with Mama Afrika e.V and is an extension of Mathilde ter Heijne’s project Olacak! (Istanbul 2010) and It Will Be! (Museum für Neue Kunst, Freiburg 2014).
Exhibition: March 18th– June 5th, 2016
Opening: March 17th, 7pm
Haus am Lützowplatz
Fördererkreis Kulturzentrum Berlin e.V.
Tuesday to Sunday, 11–6pm
Atopia: Migration, Heritage and Placelessness
Atopia: Works from the Thyssen-Bornemisza Art Contemporary Collection is an ambitious exhibition developed in collaboration with the Museo de Arte Moderno de Bogotá, Colombia. “Atopia,” a word mainly used in medicine and philosophy, literally means placelessness, out of place, unclassifiable and of high originality. The exhibition focuses on the practices and representations of the ways in which artists have accessed, rehearsed, participated in and negotiated concepts of “place” or “place of origin,” their past, heritage, and cultural ambiguities, with all the dilemmas such notions provoke. The project Woman to Go will be featured.
Exhibition: March 1– June 4, 2016
Museo de Arte Moderno de Bogotá, Colombia
ARCO Madrid 2016
Experimental Archeology will be featured by Waterside Contemporary (London) in ARCO Madrid, 2016 along with Chiara Fumai. The presentation is supported by Mondriaan Fonds and Embassy of the Netherlands.
24-28 February 2016
Hall 9, OP02
Feria de Madrid
Titled Momentary Monuments, the new installment of Collection on Display scheduled to open in February 2016 will present works that examine the significance and function of monuments for a larger exploration of memory and forgetting. In the perspective of art history, the evolution of sculpture is closely intertwined with that of monument culture. Effigies of rulers, equestrian statues, and monuments always reflect the tastes, worldviews, and designs of the powerful patrons who commissioned them. Yet they also illustrate contemporary developments in the discourse of art. Monuments served—and still serve—to propagate the prevailing ideas of their time and visualize the interpretation of events and personalities the ruling élites hope to enshrine in history books and collective memory. In contemporary art, the idea of the monument has become a focal point for artists’ engagement with the question of who determines how history is written and the representation of power in the public arena. The exhibition Momentary Monuments combines works from the collection familiar to our regular visitors with others that have rarely been on view and several new acquisitions that will make their début in Zurich.
Collection on Display is curated by Nadia Schneider Willen (Collection Curator, Migros Museum für Gegenwartskunst).
Opening: Friday, 19.02.2016, 6–9pm
Art & Anthropology. Ethnographische Bezüge in der zeitgenössischen Kunst
The exhibition pairs artists together who use ethnographic tactics to decode images of Otherness and find strategies for co-habitation, togetherness, and community: states of being so paramount in our modern times. Showing alternative perspectives, dialogues from the so-called “Other,” the artists employ various media from film, photography, installation, and object installments. The works lead us from the terrains of Mexico, Argentina or Namibia, and with this travel, the artists open up a space of poetic possibility.
Exhibition: January 23rd – April 3rd, 2016
Opening: Friday 22nd, January, 6pm
Artist Talk: Sunday 24th, January, 12pm
Curator led tour: Friday 19th, February, 7pm
Lecture with discussion: Sunday 21st, February, 12pm
Galerie im Körnerpark
Schierker Straße 8
Tuesday to Sunday 10–8pm (entrance free)
Secret Agent is a group exhibition composed from the viewpoint of feminist authorship in contemporary art practices. The exhibition is curated by Hemera Collective, a UK-based curatorial collective that specialises in photography and lens-based media, with research interests that range from social history and environmental subjects, to literature and contemporary art.
Exhibition: January 9th – 30th, 2016
Symposium: January 16th, 2016 (play)ground-less: Collaboration, Creativity, Authorship: A day of talks and performances
Events: January 23rd, 2016 (all day) Wiki-edit-a-thon: Exhibition Histories
1 Andrews Road
E8 4QL London
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