Magic Media – Media Magic

Since the 1970s, Wulf Herzogenrath, Akademie member and long-time director of Kunsthalle Bremen, has made a decisive contribution as an art historian and curator to the establishment of video art in Germany. His archive, which is in part held by the Akademie der Künste and in part privately owned, not only contains highlights from video art, but also reflects the entire range of artistic production and thus the history of video art from its beginnings in the 1960s to the present day. In the Magic Media – Media Magic exhibition, the Akademie der Künste will show artistic and documentary film material, documents, sketches, photographs and artist guest books from the curator’s collection by Vito Acconci, Klaus vom Bruch, John Cage, peter campus, Lutz Dammbeck, Mathilde ter Heijne, Rebecca Horn, Joan Jonas, Bjørn Melhus, Marcel Odenbach, Nam June Paik, Ulrike Rosenbach, Bill Viola and Raphaela Vogel, among others, as well as on Kölner Projekt’74 and documenta 6.

Akademie der Künste
Pariser Platz 4, 10117 Berlin
12 September – 13 October 2019, Tue – Sun, 11 am to 7 pm

LAMENTO I – Mourning and Tears

The history of human civilizations is marked by traumatic experiences of loss, which have produced a great variety of cultural coping forms and strategies. Natural disasters, accidents, wars, epidemics and old age confront us with our inevitable finiteness. In a time in which the superhuman seems feasible, the confrontation with death confronts us with our transience, which overwhelms us with the loss of a human being and leaves us with the painful feeling of grief. The heterogeneity of the ways of coping with loss and the strategies for dealing with it show, on the one hand, that grief seems to be a universal feeling, but is embodied in a variety of ways and finds its individual expression. People suffer from loss experiences and seek successful coping strategies to escape grief.
In the exhibition LAMENTO I – Mourning and Tears, the Museum für Sepulkralkultur dedicates itself to a selection of international, contemporary works of art, the collective and individual experience of mourning experienced and felt as a consequence of a traumatic experience of loss. The artistic works are developed and exhibited in the context and in correspondence with the collection of the Museum für Sepulkralkultur.

Museum für Sepulkralkultur
Weinbergstraße 25-27
34117 Kassel, Germany
16 November 2019 to 15 March 2020
Opening on Friday, 15 November 2019, at 19.30 hrs

WOMEN IN FILM & PHOTOGRAPHY 2019; REMEDY FOR RAGE

In recent years, communities across the world have responded to enduring social, gender, racial and economic inequality through collective actions such as #Metoo, the Occupy movement and Black Lives Matter. At the heart of it, such movements are often fueled by anger and frustration at an ostensible lack of political will or means to effect systemic change.
The fifth edition of Women in Film and Photography seeks to explore how rage against discrimination, repression and injustice can be channeled into a force for awareness, action and change through art.
The women image-makers featured in this programme have created works that speak to local and international concerns, disrupting hegemonic narratives by surfacing stories of marginalised communities and invisible figures of history. Through these works, the programme aims to celebrate, enrich and underline the necessity of diverse voices and representation.

Objectifs Chapel & Lower Galleries
155 Middle Road, Singapore 188977
2 Oct to 17 Nov 2019

BERLIN INTERVIEWS BUCHPRÄSENTATION

The journalists Birgit Rieger and Claudia Wahjudi have held talks with 16 artists who have moved to Berlin from different countries at different times. From the British Fluxus pioneer Ann Noël, who came 40 years ago, to the young performance artist Dachil Sado, who fled Iraq, the sculptor Monica Bonvicini from Venice, who met coal stoves in West Berlin, to the Sound artist Emeka Ogboh from Lagos, who brews a special Berlin beer. In the book, they report on challenges, impositions, coincidences and opportunities in a city that has changed so rapidly in the 30 years since the fall of the Berlin Wall as no other.

August 15, 2019, 7pm
mit Ann Noël, Mathilde ter Heijne, Birgit Rieger und Claudia Wahjudi
Moderation: Melanie Roumiguière, Berliner Künstlerprogramm des DAAD

daadgalerie, Oranienstraße 161, 10969 Berlin, 19:00

Healing Power

If you don’t feel well, it may seem obvious to consult a doctor. Some people turn to treatments that can be traced back to centuries-old traditions. HEALING POWER introduces a range of ritual specialists and healing practices that are important to many people around the world. The range is very wide: from Winti and ayahuasca to shamans and witches.

Museum Wereldculturen
Museum Volkenkunde
Steenstraat 1, Leiden
12.07.2019 – 05.01.2010
Opening Juli 11, 7pm

Reshaped Reality. 50 Years of Hyperrealistic Sculpture

National Chiang Kai-shek Memorial Hall, Taiwan
29.06.2019 – 29.09.2019

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The Whole Life: Archives and Reality

The archive is omnipresent and always temporary. It reflects the realities of the past – while archived knowledge at the same time shapes the present. How do archives and their objects translate historical realities into contemporary narratives?
What does this mean for the structure of archives, for their users, technologies, and forms of knowledge production? What can archives do for today’s societies? The Whole Life: Archives and Reality gathers objects, artists, researchers, and practitioners in the space of the Lipsiusbau to address these questions in week-long program of archive viewings, public lectures, evening events and an international congress.

Kunsthalle im Lipsiusbau
Georg-Treu-Platz 1
01067 Dresden
20.—25.5.2019
Opening 19.5., 19h

Assembling Past and Future / Woman to Go

With the video work Assembling Past and Future, Mathilde ter Heijne further develops the project Woman to Go. Historical portrait photographs and video recordings from the present are superimposed. This combination makes it possible to transcend place and time, thus bringing together different personal experiences and stories in the here and now. The narrators are united by the desire and will to transform society through non-violent com­mitment. They are actively involved in processes
of social awareness and change and thus stand up against structural discrimination and categorization within society. The work therefore also sees itself as an artistic search for what, to this day, connects all those who are committed to a peaceful, inclusive society.

Grassi Museum
Johannispl. 5-11
04103 Leipzig
17.05 – 11.09.2019
Opening 16.05 19.00

#wemakechange#subjective#personal#blindspot#forgotten#invisible at Hybrid Talks

The condition of transience affects humans and technology to the same degree. What’s new and innovative today can just a short time later be old and irrelevant. Depending on one’s perspective, transience can relate to a shorter or longer period of time. Narratives and manners of viewing the past can also change with time, are thus also subject to transience. Music is heard differently, historical moments are assessed differently and many things are simply forgotten.

The Hybrid Plattform is a project platform of the Berlin University of the Arts and the Technische Universität Berlin in the heart of the Campus Charlottenburg. It serves the cross-disciplinary exchange of art, science and technology.

c/o UdK Berlin
Einsteinufer 43, 10587 Berlin
+49 30 3185 2945
info@hybrid-plattform.org
Hybrid Plattform
Donnerstag, 9. Mai 2019, 18 Uhr

AFFECTED WORDS

Language defines what it means to be human. This very specific system of symbolic communication makes it possible to name the world around us, to exchange ideas and feelings, and to give or hide information. In the digital era, new technological tools affect the way we think and understand reality. Social Media let everyone participate in the narratives of society, however, moods and attitudes are communicated on the same level as information. The endless stream of emotive communication has made it nearly impossible to have a productive debate and often only serves to reinforce beliefs. How has this new emotional language contributed to our age of Post-truth?

The selected works in Affected Words explore how technology and language affect each other. The programme questions how language is used to reproduce control and grant authority, and shows how it could be used as a tool of emancipation and self-determination.
A three-day screening programme about language, technology and post-truth, curated and introduced by Maria Morata

IMPAKT Center for Media Culture
Lange Nieuwstraat 4
Utrecht
21.03.2019 – 23.03.2019
each day at 20:00

Woman to Go at SALA ANGEL DE LA HOZ

Gripped between the fingertips, the postcard is in fact a collective image and an individual memory at the same time and brings with it poignent aspects of ter Heijne’s practice, where collectivity, participation and the artist herself contribute to the understanding and re-writing of history.

Villaflorida
Magallanes, 30
39007 Santander
07.03.2019 – 21.04.2019

To catch a ghost

The occult experiences something of a boom during times of crisis and is thus present in all media at the moment. For what appears inexplicable tends to fascinate and unnerve us in equal measure. The Museum für Neue Kunst is also taking a look at the topic. However, were the ghosts that need to be caught actually created by artists? Or are they figments of our imagination? Reality starts out in our brains. A figurine is transformed into a mystical being through our imagination. What was a broom a minute ago can suddenly turn into a creepy, ghostly object. This show plays on expectations, but also our secret fears and nebulous intuitions. Although we cannot see it, is there nevertheless something there we can only feel? How do we go about proving what we perceive?

Museum für Neue Kunst
Freiburg im Breisgau
27.10.2018 – 24.03.2019

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Time has gone

The 9th edition of LagosPhoto Festival, explores the configurations by which the past, the present and the future interact within the photographic medium. Time will be approached from different angles, highlighting matters of momentum, documentation and preservation, taking into consideration the intimacy of stories as well as the breadth of the concept itself.

LagosPhoto has invited four curators to investigate the diversity that time encompasses: Eva Barois De Caevel, Wunika Mukan, Charlotte Langhorst and Valentine Umansky. Their curatorial discourse unearths the non-linearity of time and the complexity of our experience to memory.

LagosPhoto 2018
Lagos Island, Lagos
27.10.2018 – 15.11.2018

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Connective Videos: Yau Ching – Mathilde ter Heijne

Connective Videos Berlin – Hong Kong is a collaborative platform between Germany and Hong Kong, curated by Olaf Stüber (Videoart at Midnight, Berlin) and Isaac Leung (Videotage, Hong Kong), presented by Goethe-Institut Hongkong. The project encompasses the video art collections of the Videoart at Midnight Edition and the Videotage Media Art Collection. In multiple screenings throughout 2018, Connective Videos aims to learn, compare, and reimagine compelling stories told by various German and Hong Kong artists. It will consider histories across various geographical spaces and offer insights into our existing knowledge of video art production and archival practices.

Screenings on 25.10 and 29.11.2018

Goethe-Institut Hongkong
14/F Hong Kong Arts Centre
2 Harbour Road, Wanchai
Hong Kong

Who(se) Care(s)

Can one collect resistance? Can one show care? Can activism really be curated? Which alliances are justifiable? How can one oppose becoming jaded and instrumentalized? Which unlikely encounters and happily surprising constellations are possible?

Schules Museum
Lützowstrasse 73, Berlin

2 DAYS SYMPOSIUM
Friday October 12, 13 pm – 10 pm
Saturday, Oktober 13, 11 am – 9 pm

Keynote En/acting Peace
Mathilde ter Heijne and Lena Fritsch
October 12, 7pm

Magie und ritual

Es ist ein Trugschluss zu glauben, dass unsere aufgeklärte, nach Ökonomie und Pragmatismus strebende Gesellschaft, kein Interesse an metaphysischen Erschei-nungen hat. Im Gegenteil erfreut sich das Thema einer großen Resonanz in den Me-dien, der Forschung und unter Kunstschaffenden.
Die Ausstellung „Magie und Ritual“ vereint Werke von 18 internationalen Künstlerin-nen, Künstlern und Künstlerpaare, die verschiedene Aspekte des Magischen be-leuchten und auf deren Sinnzusammenhänge und Nutzen hin untersuchen. Die Werkschau spannt einen Bogen von Zauberobjekten bis hin zu metaphysischen Ent-rückungserlebnissen.

Museum Villa Rot
Schlossweg 2
88483 Burgrieden – Rot
04.11.2018 – 10.02.2019

Performance & Times Based Media Class

Mathilde ter Heijne has been appointed as Professor at the University of the Arts, Berlin. She will be teaching the class Performance and Time Based Media from October 1, 2018.

Residency im lab.Bode

lab.Bode lädt pro Jahr drei Expert_innen unterschiedlicher Disziplinen ein, die Sammlungen des Bode-Museums aus verschiedenen Blickwinkeln zu befragen. Künstler_innen, Wissenschaftler_innen und Praktiker_innen werden beauftragt, neue Themen und Fragestellungen zu entdecken, die im Anschluss in den Themenkatalog einfließen und ihn durch neue Perspektiven erweitern.

Bode-Museum
Am Kupfergraben, 10117 Berlin
01.10.2018 – 08.10.2018

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Almost Alive

Hyperrealistic Sculpture in Art; Der Wunsch, ein möglichst realistisches Abbild des Menschen zu schaffen, ist so alt wie die Menschheit selbst und reicht bis in die Antike zurück. So haben Künstler im Verlauf der gesamten Kulturgeschichte Techniken entwickelt, um den menschlichen Körper so realistisch wie möglich abzubilden. Während illusionistische Skulpturen früherer Jahrhunderte noch als Symbolfiguren auf religiöse, aristokratische und historische Inhalte verweisen, kommt seit Mitte des 20. Jahrhunderts der Mensch und seine Individualität in den Blick.

Kunsthalle Tübingen
21.07.2018 – 21.10.2018

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bitchMaterial

bitch MATERial feiert die Frau als Schaffende. Frauen kreieren Kinder, Kunst, Karrieren und Kontroversen. Es geht um die Vielfalt von Mutterbildern. Darf eine Mutter Pornos drehen? Wie sexy oder wie brav dürfen Mütter heutzutage sein? Darf auf Kinder verzichtet werden? Hinter der Fassade der aufgeklärten Freiheit für alle, lauern Mutter-Klichées, sowie schon längst überwunden geglaubte Rollenbilder. Doch nach den notwendigen Hinweisen auf die Doppelbelastung und die Schwierigkeiten von Müttern, soll die Ausstellung „bitch MATERial“ der Auseinandersetzung mit dem Thema MATER – Mutter – einen positiven und lustvollen Impetus verleihen! „bitch MATERial“ will Lust machen auf das Erkunden und Aufspüren einer großen Bandbreite von Mutter-Rollen: Hot chicks. Working mums. Rabenmütter und Muttertiere.

Studio 1
Kunstquartier Bethanien
Mariannenpl. 2, 10997
Berlin
22.3.- 8.4.2018